Home
Talks
Titian's Diana: Poetry in Paint
Titian is considered to be one of the most inspired colourists of the Renaissance. His epic paintings Diana and Actaeon and Diana and Callisto (both 1556-1559) are amongst the best-loved works in the National Gallery.
Curator Caroline Campbell talks us through the narratives of tragedy, lust and betrayal which unfold across these canvases and how the Venetian artist was inspired to paint the poetry of Ovid's Metamorphosis. These works are his attempt to represent the unruly supernatural forces of the ancient world and the strife they inflict on human beings, which remain as relevant as ever.
Time Period:
16th century
Themes:
Caroline Campbell is The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 at the National Gallery. Caroline has held curatorial positions at The Courtauld Gallery, London, the National Gallery and the Ashmolean Museum, Oxford. Caroline has curated and co-curated many exhibitions, including 'Bellini and the East' (2005-2006), 'Love and Marriage in Renaissance Florence' (2009); 'Building the Picture: Architecture in Italian Renaissance Painting' (2014) and 'Duccio/Caro: In Dialogue' (2015). She is curating the 'Mantegna and Bellini' exhibition that opens at the National Gallery in the autumn of 2018.
1:16
1 Minute 1 Work: The Sake-drinking Boy
Shantell Martin shares her admiration for Hishikawa Moronobu’s inspiring use of line.
12:13
Faith and Doubt in Art
Julian Spalding discusses the impact of religious belief and spiritual doubt on paintings across time.
12:50
Paula Rego: Giving Fear a Face
From the personal to the political, every picture tells her story.
1:16
Shantell Martin shares her admiration for Hishikawa Moronobu’s inspiring use of line.
12:13
Julian Spalding discusses the impact of religious belief and spiritual doubt on paintings across time.
12:50
From the personal to the political, every picture tells her story.
8:40
Cassius Ashcroft and Femi Themen — alumni of the articulation Prize — explore Richard Long’s site-specific sculpture ‘Tame Buzzard Line’.
13:12
The male gaze, misogyny, porn. Rachel Maclean discusses issues surrounding female identity in the history of art as tackled in her film ‘Make Me Up’.
11:00
Artist Jeremy Deller examines the art of war and how his own works serve as a kind of 'public inquiry' into the nature of conflict.