Robert Storr


Robert Storr is a curator, critic, and painter. From 1990 until 2002 he worked
at The Museum of Modern Art in New York, where he was curator and then
senior curator in the Department of Painting and Sculpture. His exhibitions there included, ‘DISLOCATIONS’, ‘Modern Art Despite Modernism’, and retrospectives
of Robert Ryman, Tony Smith, Chuck Close, Gerhard Richter, Max Beckmann,
and Elizabeth Murray. From 1990 to 2000 he directed MoMA’s Projects program devoted to contemporary art, for which he organized small monographic shows by Art Spiegelman, Franz West, Tom Friedman, and others. In 2002 he was named the first Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. From 2006 to 2016 he served as the Stavros Niarchos Foundation Dean of the Yale University School of Art, where he continues to be a professor of painting. In 2007 he served as Artistic Director of the Venice Biennale, the first American to hold that position.

Since 1982, his essays, reviews, and columns have appeared in Art in America, Art Press, Frieze, Artforum, Parkett, Corriere della Sera, and other magazines
and journals. He is the author of numerous catalogues and books – most recently,
 of Intimate Geometries: The Life and Work of Louise Bourgeois (2016), for which he received the 2017 Filaf d’or Award, as well as the 2017 Filaf Award for Best Book on Contemporary Art. A frequent lecturer both in the United States and abroad, he has taught painting, drawing, art history, and criticism at numerous colleges, universities, and art schools. He is the recipient of prestigious awards for his criticism and curatorial work from organizations such as the International Association of Art Critics and the Archives of American Art. In 2016 he was awarded a fellowship from the John Simon Guggenheim Memorial Foundation. Made Chevalier des Arts et des Lettres by the French Ministry of Culture in 2000, he was subsequently promoted
to Officier of the same order. Storr lives and works in Brooklyn, New York, and
 New Haven, Connecticut.

Videos Related to Robert Storr

Gerhard Richter: Doubt

Gerhard Richter: Doubt 12:00 mins
play_arrow PLAY NOW

‘He disturbed my sense of what art should be.’ — Robert Storr on Gerhard Richter

Paul McCarthy: ‘All for the Gut’

Paul McCarthy: ‘All for the Gut’ 15:04 mins
play_arrow PLAY NOW

Can you stomach Paul McCarthy’s art? Critic Robert Storr makes the case that McCarthy is the ‘critical grotesque’ heir of much canonical satire, drawing comparisons to François Rabelais and James Gillray’s provocations.

Louise Bourgeois: ‘A prisoner of my memories’

Louise Bourgeois: ‘A prisoner of my memories’ 10:58 mins
play_arrow PLAY NOW

Robert Storr explores how this influential artist channelled her psychological pain to create some of the most visceral works of the twentieth century.